The basic idea of Supreme Pianos is coming from 3D graphic rendering. It uses Physical modeling to shape the sound’s “skeleton” of the piano, and then mapping a series of harmony components on to the skeleton to achieve an authentic sound. Supreme Pianos does not rely on sampling, has a small memory footprint and extreme low CPU usage… Read More »
PULS is a monophonic pulse wave synthesizer with simple controls but complex sounds. From two pulse wave oscillators you can get chunky basses, scorching leads, retro chiptune, dusty lofi and oddball noises. With an unusual isometric pixel-art interface, what it lacks in knobs, it makes up for in sound. It features custom pulse waveforms, unison, oscillator sync and… Read More »
ChineeWinds is a sample based Chinese “Dizi”. Dizi (bamboo flute) has been a traditional and popular instrument in China for many centuries and as an essential Chinese instrument, it is still widely used today. It can be heard everywhere ranging from modern Chinese film scores, to modern Chinese pop music (e.g. 12 Girls Band). There are many… Read More »
ChineeHuluSi: The Riveting Bottle Gourds from the South of Clouds. HuluSi is a free-reed wind instrument from China. “Hulu” is the Chinese name for bottle gourd; “Si”, silk, is used here to describe the unrelenting characteristic of HuluSi’s vibrating tail tone. The history of HuluSi is not well documented other than that it may have been used by… Read More »
ChineeSuona comprises of two Suonas (a big Suona and a small Suona) with different note ranges. It comes with a meticulously woven 380 MB sampleset (All samples are recorded in 24 bit 96 kHz). What is a Suona? Suona (the Chinese shawm) was originated from Persia and then slowly adopted by the Chinese in the course of history.… Read More »
ChineeGuQin is a sample-based emulation of a GuQin. “The Vivacious Vessel of Harmony” GuQin is among the few most distinctive and representative classical Chinese instruments ever. The written record of it can be traced back to at least 3,000 years ago. It’s a zither similar to GuZheng, but since GuQin does not have bridges, it is far more… Read More »
AOM Factory – Invisible Limiter – AOM Invisible Limiter – transparent look-ahead brickwall limiter with automatic adjustment of time attack / release parameters. Invisible Limiter algorithm reduces the differences between the original and the processed material. This behavior prevents the color of your material from the final stage of the limitation. Even when processing stiff enough, it is… Read More »
Britson is inspired by the classic British 8014 console. One of the most difficult tasks, in my humble opinion, is to recreate the saturation characteristic of analog equipment. Copying the harmonic content of a particular piece of equipment is not enough to generate a nice, convincing, analog-like saturation. Many other factors have a far more influential impact on… Read More »
This is our take on the retro electronic organ Stylophone. Created for Kontakt 4+ this instrument enhances the playability of the stylophone – some of the features include: increased key range to 3 octaves, polyphonic playing, legato scripting, round robin, chorus effect, variable vibrato, release triggers, key taps, and filters. The stylephone requires the full version of Kontakt… Read More »
GlissEQ is a powerful parametric dynamic equalizer plug-in. The most interesting and unique feature GlissEQ offers is its filters with dynamic behavior. When using a normal equalizer you always get what you have set: if you specify a 6 dB boost at 100 Hz you get exactly a 6 dB boost at 100 Hz – GlissEQ offers you… Read More »
Sonic Charge Microtonic (also known as “µTonic”) is a drum and percussion synthesizer combined with a pattern based drum-machine engine. You can use µTonic as a sound module to play drum sounds from your MIDI keyboard or sequencer, or you can use the built-in pattern engine to play drum patterns in sync with your sequencer. The sound of… Read More »
Nowadays the music industry aims for the highest possible quality and volume for music Most software is lacking in this department. The Tube virtualiser – using a special algorithm – can bring out the maximum from music. With the help of this program, it’s possible to bring out extra deep frequency without distortion. And when the distortion is… Read More »
Acon Digital Verberate is an algorithmic reverb plug-in that simulates real acoustical surroundings with a new degree of realism. Several conventional building blocks in traditional digital reverb design have been replaced by novel methods that allow Verberate to produce convincing early reflections and the dense reverberation tails that characterize impulse response measurements of real acoustical spaces. The result… Read More »
Air Music Technology originally created Xpand. as part of the Creative Collection of instrument plug-ins included as part of Avid Pro Tools. With the release of Pro Tools 8, this widely popular workstation was given new controls, improved features, an additional Gigabyte of sounds, and a new name: XPand!2. As the popularity of Pro Tools grew, more and… Read More »
LOUD and CLEAR New version of Kuassa’s ooh-so-handy limiter / loudness maximizer plugin Make your Mix and Master LOUD transparently without sacrificing punch and sound quality Featuring the new Adaptive Mode, dithering section, up to 4x oversampling, Latency Compensation, and redesigned graphics. Now supports Reason Rack Extension and Avid Pro Tools’ AAX REQUIREMENTS Windows XP, Vista, 7, or… Read More »
