Sample Magic – Lo-Fi Pop (AIFF, MIDI, REX2, WAV)

 

Publisher : Sample Magic
Site : samplemagic.com
Format : AIFF, MIDI, REX2, WAV
Quality : 24 bit 44.1 kHz stereo

Description : Ambient melodics and lo-fi beats for modern Pop productions. Lush, futuristic and cinematic – this collection embodies the tape-saturated bliss of timeless synths and contemporary hits. Over 1.3GB of warm, evolving pads, cassette-warped leads, drum machined beats, cityscape atmospheres and bit crushed guitar licks for future lo-fi classics.
Drum Hits> 145 vintage kicks, sizzling hi-hats, tough toms and slamming snares with custom kits and sampler formats.
Drum Loops> Full-fat contemporary drum grooves, dirty hip-hop rhythms and tape-kissed retro loops. Served at 80 and 100bpm with all constituent stems.
Inspiration Kits> 20 full-track lo-fi pop music loops bursting with production potential with all constituent stems and MIDI, key and tempo for ease of use. Super high quality track-starters to break apart or use as is.
Synth Loops> Groggy melodic tape keys, processed chorus arpeggios and detuned polyphonic sequences. Key / tempo labeled at 80 and 100 bpm and served with all possible MIDI.
Pads and Atmospheres> Deep lunar pads, evolving textural atmospheres and dense synth textures. Key / tempo labeled at 80 and 100 bpm and served with MIDI
Percussion Loops> Electronic percussion loops, shuffling machine-drum hats, swung retro shakers and contemporary real-life hats and cymbals. Served at 80 and 100 bpm.
Chord Shots> Lush, tape degraded and bit-crushed chords stabs from analogue synthesisers. Key-labelled and provided with MIDI. Supplied with a custom instrument for Ableton Live 9.5 Suite for instant lo-fi production.
Guitar Loops> Amped up electric licks, processed strums and melodic arpeggios processed through vintage guitar racks and pedals.
FX> 20 dense cymbal impacts, percussive synth drops and analogue white-noise risers and fallers.
Foley Loops> Input noise, transformed foley and old-school vinyl noise of added grit and lo-fi dirt.

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