Year of release : 2024
Manufacturer’s website : Udemy.com
Author : J. Anthony Allen
Duration : 05:16:37
Type of distributed material : Video lesson
Language : English
Example files : none
Video format : TS
Video : MPEG4 Video (H264) 1920×1080 30fps
Audio : AAC 44100Hz stereo 10kbps
Description : Ableton Live 12 Training available! By J. Anthony Allen, Ableton Certified Trainer and University Professor.
Welcome to the Ultimate Ableton Live 12 Masterclass Edition: Part 4 – Sound Design and Synthesis!
Hi – I’m Jason, Ableton Certified Trainer and tenured university professor with a Ph.D. in Music. I have over 75 courses with a rating of 4.5 and higher . Tens of thousands of students have taken my Ableton Live 9, 10, and 11 classes, and they average over 4.7 in student ratings.
I’m here to guide you through the intricacies of Ableton Live. Whether you’re a beginning music maker, aspiring producer, or a seasoned professional looking to up your game, this course is the perfect starting point.
Why choose this course?
• Top Seller on Udemy: Thousands of 4+ reviews and tens of thousands of students can’t be wrong!
• 5-Star Certified: Independently reviewed and certified by IAOMEI, ensuring the highest quality education.
• Ableton Certified Trainer: With a Ph.D. in music, I bring a unique blend of expertise to both production and education.
• Responsive Instructor: Enjoy a 100% Answer Rate! Every question posted in the class is personally answered by me within 24 hours.
My Promise to You : As a full-time Music Producer and Educator, I am committed to your success. Post your questions in the class, and I will respond within 24 hours. If this class doesn’t meet your expectations, take advantage of the 30-day money-back guarantee—no questions asked.
Why Ultimate Ableton Live 12?
• Comprehensive Learning: Master every aspect of Ableton Live 12, finishing as an expert in the software.
• Downloadable Content: Get almost 5 hours of downloadable videos with lifetime access.
• Workflow Techniques: Unlock my top production workflow techniques to streamline your creative process.
• Direct Access to the Instructor: Enjoy direct access to me for any questions or clarifications within 24 hours.
Author :
J. Anthony Allen
Ph.D / Ableton Certified Trainer
J. Anthony (pronounced, “Jay”) is a #1 best selling music teacher on Udemy. He is the author of the #1 best selling music theory course on Udemy, “Music Theory Comprehensive” (21 parts), and Music Theory for Electronic Musicians (5 parts), which have been purchased by more than 170,000 students in 11 languages in 196 countries. He is also the author of the best-selling book, Music Theory for Electronic Musicians.
He is a PhD in music, university professor, and a best selling music producer. He brings this authenticity to all of his Udemy courses.
Dr. J. Anthony Allen (also known as Jason Allen) has worn the hats of composer, producer, songwriter, engineer, sound designer, DJ, remix artist, multi-media artist, performer, inventor, and entrepreneur. Allen is a versatile creator whose diverse project experience ranges from works written for the Minnesota Orchestra to pieces developed for film, TV, and radio. An innovator in the field of electronic performance, Allen performs on a set of “glove” controllers, which he has designed, built, and programmed by himself. When he’s not working as a solo artist, Allen is a serial collaborator. His primary collaborative vehicle is the group Ballet Mech, for which Allen is one of three producers.
J. Anthony Allen teaches at Augsburg University in Minneapolis, MN, where he runs the Music, Media, and Management program. He is also an Ableton Live Certified Trainer, co-founder, owner and CEO of Slam Academy, a multimedia educational space in downtown Minneapolis, the CTO of Ion Concert Media, and sole owner and producer of music education courses under the umbrella of Punkademic Courses . Recently, Allen founded Hackademica – an innovative net-label for new music.
J. has a PhD in music composition, 2 Master’s degrees in music composition and electronic music, and a bachelor’s degree in guitar performance. Through his academic travels, Dr. Allen has received numerous awards along the way.
If you run into him on the street, he prefers to be addressed as J. (as in, Jay.)
What will you learn?
√ At the end of this course, students will be able to produce music with Ableton Live 12 and be on their way to being a professional musician.
√ Work in the Session View and Arrangement View of Ableton Live 12
√ Record Audio, Midi, and Understand Live’s Signal Flow
√ Navigate 100% of Ableton Live 12
√ Produce music using Ableton Live 12
√ Students will understand the two views in Live 12.
√ The fundamentals to recording in Live 12
√ All possible ways of editing in Live 12
√ The 10 fundamentals to audio recording
√ The 6 fundamentals to MIDI recording
√ The essential tools for Warping
√ Editing and Producing in Arrangement view
√ Session View editing and Producing
√ Making Beats
√ The 7 (and more!) methods to making beats in Ableton Live 12
√ Producing with synths in Ableton Live 12
√ The 12 Ableton Live Instruments
√ The Wavetable Synth (similar to Serum)
√ The Ableton Live Samplers
√ The 3 uses of Racks
√ The 8 MIDI Effects
√ Performing with Ableton Live 12
√ Mixing in Ableton Live 12
√ Mastering in Ableton Live 12
Requirements :
• Students should be ready to produce music, but do not need to be experienced musicians. No prior experience is needed in music theory or production.
• Access to Ableton Live will be required. Using the trial version (free for 30 days) would be a great way to start.
• Finishing the class, “Ultimate Ableton Live 12, Part 1: Production Principles” will be very helpful, but is not required.
• Finishing the class, “Ultimate Ableton Live 12, Part 2: Recording Music & MIDI” will be very helpful, but is not required.
• Finishing the class, “Ultimate Ableton Live 12, Part 3: Producing Music with Live” will be very helpful, but is not required. [collapse]
Who is this course for?
• Anyone in any country who is ready to start their music production by learning everything they need to know about making music with Ableton Live 12.
• Beginners: If you don’t know much about music production, this is the best class to start with .
• Intermediate: If you’ve dabbled with Ableton Live 12, but are missing the fundamental knowledge of the program, start here.
• Advanced: People using Ableton Live 12 on a daily basis will benefit from the workflow tips, vocabulary, and techniques in this course.
Content :
01 – Introduction
02 – Workflow – Working with Live’s Instruments
03 – A Quick MIDI Refresher
04 – MIDI Clips
05 – Key Aware Settings
06 – What is Sound Design
07 – A Film Session
08 – The 3 Elements of Good Sound Design
09 – Overtones and Harmonics
10 – Synthesis Types
11 – The Oscillator Section
12 – Waveforms
13 – The Filter Section
14 – The Envelopes
15 – ADSR
16 – The Amplifier
17 – Overview of the Ableton Live Instruments
18 – Live’s Analog Synth
19 – Signal Flow
20 – LFO
21 – Programming Analog
22 – Saving And Loading Patches
23 – Preset Deconstruction
24 – Noise
25 – Live’s Operator Synth Interface
26 – Signal Flow in Operator
27 – FM Synthesis
28 – Operator Programming
29 – Preset Deconstruction
30 – The Drift Interface
31 – Preset Study
32 – Key Tracking
33 – Drift Programming
34 – The Meld Interface
35 – Preset Study
36 – Meld Programming
37 – Live’s Collision Synth
38 – Programming Collision
39 – Live’s Tension Synth
40 – Tension Preset Deconstruction
41 – Tension Programming
42 – Live’s Electric Synth
43 – Preset Deconstruction
44 – Live’s Impulse Synth
45 – Programming Impulse
46 – What is a Wavetable Synth
47 – Preset Deconstruction
48 – MPE and Wavetable
49 – What are these
50 – DS – Clang
51 – DS – Clap
52 – DS – Cymbal
53 – DS – FM
54 – DS – HH
55 – DS – Kick
56 – DS – Sampler
57 – DS – Snare
58 – DS – Tom
59 – Drum Synth Programming
60 – Drum Rack Refresher
61 – MIDI Control of Drum Rack
62 – Drum Rack Routing
63 – Drum Rack ”Choke”
64 – Building a Drum Rack
65 – The Simpler and the Sampler
66 – Using Simpler (Classic Mode)
67 – Simpler in 1-shot mode
68 – Simpler in Slice Mode
69 – Using Sampler
70 – Samples and Zones
71 – Sampler Orchestra Library Example
72 – Adding Samplers to our Track
73 – Overview to Instrument Racks
74 – Chains and Selectors
75 – The Chain Selector
76 – Macros
77 – Some Rack Presets
78 – External Instrument
79 – Granulator III
80 – Other M4L Devices
81 – What Comes Next
82 – Bonus Lecture
