DUNE is a subtractive/virtual-analog type synthesizer which introduces new, innovative features. The differential unison engine (DUNE) takes the concept of subtractive synthesis to the next level, by allowing full control of each unison voice. This greatly extends the range of possible sounds, reaching deep into FM and Wavetable synthesis. Whether you’re looking for lush pads, fat basses, punchy… Read More »
MDrummer – is highly sophisticated percussion workstation that combines all the features of all of current products on the market in one tool. incredible sound and rhythm systems provide everything you might need! Not just a sampler, synthesizer, not only … It is more versatile, can play acoustic jazz swing with brushes, bossa nova, pop, r’n’b, drum’n’bass …… Read More »
Additive synthesizer Overview 64-bit Audio Units and VST support. 32-bit Audio Units, VST support. Up to 16 voices polyphony. WAV PCM analysis and bitmap import. 1024, 2048, 4096, 8192 FFT frame sizes. 4 Windows: Bartlett, Hamming, Hanning and Blackman. Envelope 256 breakpoints parabolic envelopes with stage slope control. Oscillators Euler generated (Max: -120dB s/noise ratio) (no wavetables used).… Read More »
Polyvoks Station is an emulation of a classic Soviet synth “Polivoks” Year / Release Date: Unknown Version: 1.4 Developer: SyncerSoft Developer Website: Not found Bit depth: 32bit Compatibility with Vista: unknown Compatible with Windows 7: Unknown Language: English + Russian Tablet: Not required System Requirements: N / A
PlastiCZ sounds different. With two phase-morph oscillators and AM you can coax completely new sounds from PlastiCZ. PlastiCZ has a simple and clearly arranged user interface, the individual modules are differently coloured from each other and all parameters are always accessible. Ten insert-effects give that certain extra to the sounds and offers further possibilities for extravagant sounds. Feature… Read More »
Glass Viper is a synthesizer with unique waveform shaping, that has a deep and natural sense of movement. Going beyond analogue simulation, into a truly organic sound, from simple old synths to grungy filthy basses, or delicate pianos to strange unnatural film effects. Instead of taking a sample or oscillator and applying just filters and FX techniques, Glass… Read More »
TimewARP 2600 is an emulation of the classic ARP 2600 analog synthesizer. Synth Features: 3 VCOs – all capable of generating audio band and Low Frequency (LF) signals. 1 Lo-Pass Resonant Filter – supports variable-depth self-oscillation and audio band and LF control modulation. 1 Sample & Hold – driven by either an internal, external, or MIDI Beat Clock.… Read More »
KikAxxe is a faithful emulation of the ARP Axxe analog synthesizer that descended from the venerable ARP 2600 in the mid ’70s. Play it from a MIDI controller or the integral Sequencer +, an emulation of the ARP step sequencer that contributed to the signature sound of artists like The Who, Depeche Mode, 808 State, Vince Clarke, Jean-Michel… Read More »
Kubik is a wavetable sequencer synthesizer that can create a vast array of sophisticated moving sounds by moving through a wavetable of 64 waveforms, similar to sounds produced by the Waldorf MicroWave or Ensoniq Fizmo. Features: 64 Wave Wavetable. Two Wavetable Oscillators with secondary unison oscillators. Up to 8x oversampling. Nine Types of Oscillator Combinations: Add, Sub, Mix,… Read More »
Guzheng, as one of the most representative Chinese instruments, first appeared around the Warring States period (475 – 221 BC), then became extremely popular during the Tang Dynasty (618 – 907 AD) and spread to all neighboring areas ever since (e.g., Guzheng is the forefather of Japanese Koto). Guzheng was originally a rather simple instrument with only five… Read More »
Nanxiao (Southern Xiao) is a bamboo flute of the Xiao family. Unlike Dizi, Xiao has no membrane. Nanxiao is mostly popular in the Fujian area of southern China. Like the Japanese Shakuhachi, NanXiao is the offspring of ChiBa and DongXiao from the Tang Dynasty (618 – 907 AD). Contrary to the upbeat, happy-trigger sound of Dizi, NanXiao… Read More »
Bruno is an “old school” synthesizer with a “new modern sound” offering leads, strings, bass and an easy to use interface. Features: Arp with Live Function. Delay and 3 Stages Chorus. Hard Clipping and Tube Distortion. Multiwave/Superwave Oscillator. 12/24db Filter with Self Oscillation. VCA with ADSR/Gate Modus. LFO with Fade In. 128 Sound Templates. Manual English/German. Single Voice… Read More »
Audio Damage’s first instrument, Tattoo, is a drum synthesizer where everything old is new again. Featuring 12 independent “voice-tuned” synthesizer topologies loosely based on the X0X series, and a sophisticated step/mod sequencer, Tattoo is at home in all forms of electronic music production. Features: 12 Drum Synths: Tattoo comes equipped with twelve different voices, utilizing Audio Damage’s custom… Read More »
nrg-A Synthesizer produces Bass, Leads, Pads, piano , Organ, Sequence. Gate effect. Ideal for the creation of the trance and ambient compositions. Features: 16 voices / 256 patches. 3 VCOs each with 11 waves: sine, parsine, triangle, triasine, saw, saw mg, ramp, ramp mg, pulse, white and pink noise. Pulse length, phase, FM, sync, key retrigger controls and… Read More »
Sonic Charge Microtonic (also known as “µTonic”) is a drum and percussion synthesizer combined with a pattern based drum-machine engine. You can use µTonic as a sound module to play drum sounds from your MIDI keyboard or sequencer, or you can use the built-in pattern engine to play drum patterns in sync with your sequencer. The sound of… Read More »
Purity is a next generation of digital musical instrument workstation and PCM Sound Module / Rompler software. Feature Summary. 16-part multi-instrument with GM Support Channel link function allows patch layering. Key/velocity range for splitting sound zone. General MIDI normal/rhythm sound and control support. 2 modes designed for each channel purpose – Melody/Drum. Integrated Mixer Realtime audio level meters.… Read More »
String is a virtual instrument that emulates the beautiful sound of the polyphonic string synthesizer. String’s authentic tone comes from its accurate emulation of the divide-down oscillator technology behind the lush ensemble synths of the ’70s. String has two individual sound generating Layers, each housing three phase-locked oscillator stops at 16′, 8′ and 4′ ranges for Layer 1,… Read More »
Pure-Pten is virtual analogue synthesizer with a combination of Frequency Modulation (FM), Ring Modulation (RM), Oscillator Sync, Distortion and Subtractive Synthesis. Features: 10 voices. 3 Oscillators per voice / 21 waveforms / oscillator 3 with super wave function. 1 Multi-mode Filter 12/24dB, TP/HP-BP. 1 Filter-ADSR / timestretch function T*1, T*5, T*10. 1 VCA-ADSR / switch from linear to… Read More »
Lemonstrum 3 is an Acoustic Guitar Strummer plug-in – it acts as a chord sample player. Each of the 12 keys on the keyboard (A-G#) triggers the chord you assign to it. You can load up to three samples: different strokes of the same chord for each trigger, which Lemonstrum will then play alternately whenever you press the… Read More »
Virtual Instrument Jupiter-8V simulates an analog synthesizer Roland Jupiter 8. Use the improved version of the technology TAE (True Analog Emulation), is also used in such virtual instruments like Moog Modular V, Minimoog V, ARP 2600 V, CS-80V Prophet V. Each voice has two oscillators (triangle, sawtooth, pulse and square waveforms, the second oscillator can produce a square… Read More »
The basic idea of Supreme Pianos is coming from 3D graphic rendering. It uses Physical modeling to shape the sound’s “skeleton” of the piano, and then mapping a series of harmony components on to the skeleton to achieve an authentic sound. Supreme Pianos does not rely on sampling, has a small memory footprint and extreme low CPU usage… Read More »
PULS is a monophonic pulse wave synthesizer with simple controls but complex sounds. From two pulse wave oscillators you can get chunky basses, scorching leads, retro chiptune, dusty lofi and oddball noises. With an unusual isometric pixel-art interface, what it lacks in knobs, it makes up for in sound. It features custom pulse waveforms, unison, oscillator sync and… Read More »
ChineeHuluSi: The Riveting Bottle Gourds from the South of Clouds. HuluSi is a free-reed wind instrument from China. “Hulu” is the Chinese name for bottle gourd; “Si”, silk, is used here to describe the unrelenting characteristic of HuluSi’s vibrating tail tone. The history of HuluSi is not well documented other than that it may have been used by… Read More »
ChineeSuona comprises of two Suonas (a big Suona and a small Suona) with different note ranges. It comes with a meticulously woven 380 MB sampleset (All samples are recorded in 24 bit 96 kHz). What is a Suona? Suona (the Chinese shawm) was originated from Persia and then slowly adopted by the Chinese in the course of history.… Read More »
MaTouQin (horse-headed fiddle, aka morin khuur) is a faithful sample-based re-creation of one of the most representative traditional Mongolian instruments. Matouqin is believed to be originated from the nomadic people during the Tang Dynasty (7th – 10th centuries), and became widely known circa Genghis Khan’s reign. Nowadays, like many other Mongolian legacies, Matouqin has become an essential part… Read More »
