Production Music Live – Masterclass: Creative Sound Design with the Moog Sub37 (TUTORIAL)

By | September 25, 2024

 

Year of release : 2022
Manufacturer’s website : Production Music Live
Author : Yannek Maunz
Duration : 06:33:10
Type of distributed material : Video lesson
Language : English
Example files : present
Video format : MP4
Video : MPEG4 Video (H264) 1920×1080 50fps 1485kbps
Audio : AAC 48000Hz stereo 130kbps


Description : Yannek Maunz is label co-owner (YION), producer, artist and PML tutor for quite some time now.
Getting good results quickly is key to being active in so many fields. In this class he will show you his patching techniques in depth, always starting from init .
He will talk about his exact workflow on how to patch Basslines, Arpeggios, Sequences, Riser and Melodic lines for Melodic Techno and House productions.
Check the curriculum below for the full list of sound patches covered.
No additional software required to take this masterclass .

Highlights of the class
√ Creating a efficient workflow and deep understanding of synthesis
√ Over 20 lessons and 7h of high quality synthesis
√ Intro & explanation of the Sub37 and subtractive synthesis
√ How to apply techniques to other synths
√ Working with analog Synths in Ableton

Example Patches
√ different basses
√ arpeggios (plucky & dreamy)
√ leads (from Afterlife to underground)
√ polyrhythmic sequences
√ noises, sweeps & risers

Bonus
√ Building a track from scratch in 45 minutes using the Moog Sub37

Content :
1. Welcome
1. Introduction – What to expect from this Class (1:35)
2. Course & Chapter Overview (1:20) [collapse]

2. Technical Introduction to the Moog Sub37
1. Exploration Pt. 1 – In/Outputs, Sections, Presets (22:44)
2. Exploration Pt. 2 – Sections, Knobs (24:07)
3. Exploration Pt. 3 – Interface, Secrets (22:02)

3. Designing Moog Patches & Workflow Tricks
1. Introduction (2:36)
2. Cloudy Harmony (Dreamy Arpeggiated Pluck Lead Sound) PT1 (16:02)
3. Cloudy Harmony (Dreamy Arpeggiated Pluck Lead Sound) PT2 (17:33)
4. Duo (Viby Duophonic Bassline Patch ) (21:33)
5. Snake (Punchy Saw Bass Patch) (15:51)
6. Glido (Lead and Bass Patch with a Bodzin like Glide Trick) (18:04)
7. Kangaroo (Analog Sequenced Bassline Patch) ( 15:54)
8. Hatman (Moving White Noise Hat Patch) (13:25)
9. Ordernary (Thriving 3 Osc Arpeggio Patch for melodic techno) (22:41)
10. Nostalgia (Vibrato Saw Wave Lead with all kinds of Modulation) (20:33)
11. Gamegirl (Fast arpeggiated Melodic House Melody) (26:27)
12. Polymoly (Polyrhytmic Bassline Patch for Club tracks) PT1 (13:54 )
13. Polymoly (Polyrhytmic Bassline Patch for Club tracks) PT2 (17:34)
14. Sweet Sweep (Tonal White Noise Sweep and Riser) (9:24)
15. Plucky Luke (Mellow and dreamy saw wave pluck patch) PT1 ( 15:48)
16. Plucky Luke (Mellow and dreamy saw wave pluck patch) PT2 (14:54)
17. Box of Pandora (Just some more tricks and workflow boosts) (10:17)

4. Bonus
1. Bonus PT1 (24:52)
2. Bonus PT2 (23:49)

About Yannek Maunz :
Yannek Maunz – a Berlin-based producer, sound tinkerer and YION label co-owner.
“Creating this class was quite a challenge, but after I received a lot of positive feedback on my Sub 37 Video of the Berlin Dance Event I realized that there is a need on how to actually create music with the Sub 37 . And after that it was just a natural idea to create it together with PML. I’ve been using the Sub 37 for over 5 years now, in nearly each of my productions and even though I wanted to switch to other synths from time to time, always came back to this monster.
Am I an expert on that synth? Well, I think that’s hard to say, maybe in MY way of patching. You know, I think there are great tutorials out there about the Sub 37 but they are mainly about the technical side of it. I wanted to create something different: a class about how to actually USE the synth, how to compose with it, and how to achieve (in the fastest and most creative way) musical results with it. I will show you the process of patching from init to a finished sound. Every time. This is the most fun thing to do because you’ll learn exactly how to achieve a certain sound and you can develop your own style of playing and synthesizing. In the end it’s possible to transfer all the knowledge to any synth (hardware or software) but with Moog you will have it a lot easier (because it’s all accessible with your hands).
This course contains all of my tricks and tips and workflow boosts I can think of and I hope it will help you create the music you want.
Best,
Yannek



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