MacProVideo – Native Instruments 211: Guitar Rig and The Studio Processors [ENG]

By | December 19, 2016

Mo Volens will tell you about all the possibilities of Guitar Rig virtual office from the famous company Native Instruments.

Native Instruments’ Guitar Rig is not just for guitars. It’s an amazingly versatile plugin “rig ” that can be used on just about any track from vocals to mastering. Join Music Software Expert Mo Volans as he shows you the amazing new collection of studio quality Effect Processors that come with Guitar Rig 5 Pro

From lush reverbs and delays to massive Distortion , Overdrives and Filters, Guitar Rig 5 Pro has got it all! In this 31-video tutorial, macProVideo Lead Trainer Mo Volans takes you on a journey through Native Instruments’ amazing collection of meticulously crafted effects and studio processors.

Guitar Rig is super versatile and can be used on pretty much any track in your project: vocals, synth, bass, stereo bus, anything! Master Mo kicks it off by showing you NI’s Solid EQ and Solid Bus Compressor.

This is where you’ll learn how to use parallel compression in your mix and how to use the Solid Bus Compressor in your mastering session. From there you’ll see how Mo uses compression on vocals to make ’em smooth as silk.

Do not miss Mo’s master class on how Guitar Rig can be employed for Beat slicing and mashing! He then unveils the amazingly flexible Reflektor Reverb and shows you how to use LFOs to create dizzying Auto-Wah effects.

Is there anything Guitar Rig can not do ? We do not think so! If you’ve been looking to spice up your productions using some of the best FX processors in the world, you’ve come to the right tutorial.

Let Expert Mo Volans show you how to use NI’s Guitar Rig take your music to new sonic heights!

Content:
1: Introduction
2:39
1. Guitar Rig In Your DAW
2:44
2. The Studio Processor Concept
2:40
3. What You’ll Need To Follow Along
2: Traditional Processors
2:38
4. The Solid Mix Series Range
5:06
5. The Solid EQ In Action
5:54
6. Applying Solid Dynamics
3:24
7. The Solid Bus Comp
5:07
8. Parallel Compression and Side-Chaining
04:14
9. The Solid Bus Compressor For Mastering
2:52
10. The Vintage Compressors
6:07
11. Slamming with VC76
3:48
12. Smoothing Vocals with the VC2A
3:05
13. Adding Character With The VC160
3: Performance And Other FX
2:00
14. Introducing Traktor’s 12
7:14
15. Filters And Distortions
6:15
16. Reverb And Delay
7:06
17. Stretchers And Gates
3:08
18. The Beat Slicer And Masher
5:21
19. The Transient Master
4:34
20. The Reflektor Reverb
4: The Guitar Processors
2:51
21. Guitar Processors As Production Effects
5:59
22. Distortions, Overdrives And Beyond
3:46
23. Modulation Heaven
6:45
24. Delays, Reverbs, Filters And EQ
5: Modifiers And Utilities
2:53
25. What Are The Modifiers?
5:00
26. Using The LFO For Auto-Wah effects
3:15
27. The Envelope
5:01
28. The Analog and Step Sequencers
2:50
29. The Input Level Modifier
4:11
30. Using Containers
8:29
31. Splitters, Crossovers and The Final Mix
Video
ID: 1
Format: AVC
Format / Info: Advanced Video Codec
Format profile: [email protected]
Format settings, CABAC: No
Format settings, ReFrames: 2 frames
Format settings, GOP: M = 2, N = 30
Codec ID: avc1
Codec ID / Info: Advanced Video Coding
Duration: 2mn 39s
Bit rate mode: Variable
Bit rate: 343 Kbps
Width: 960 pixels
Height: 540 pixels
Display aspect ratio: 16: 9
Frame rate mode: Constant
Frame rate: 10.000 fps
Color space: YUV
Chroma subsampling: 4: 2: 0
Bit depth: 8 bits
Scan type: Progressive
Bits / (Pixel * Frame): 0.066
Stream size: 6.53 MiB (77{83c93de8c9bf92b09b526c8ece7da73c325d55368c444eba1a4531e14f6c453a})
Language: English
Encoded date: UTC 2012-04-24 23:38:13
Tagged date: UTC 2012-04-24 23:38:14
Color primaries: BT.709-5, BT.1361, IEC 61966-2-4, SMPTE RP177
Transfer characteristics: BT.709-5, BT.1361
Matrix coefficients: BT.709-5, BT.1361, IEC 61966-2-4 709, SMPTE RP177
Audio
ID: 2
Format: AAC
Format / Info: Advanced Audio Codec
Format profile: LC
Codec ID: 40
Duration: 2mn 38s
Bit rate mode: Constant
Bit rate: 96.0 Kbps
Nominal bit rate: 112 Kbps
Channel (s): 2 channels
Channel positions: Front: LR
Sampling rate: 44.1 KHz
Compression mode: Lossy
Stream size: 1.84 MiB (22{83c93de8c9bf92b09b526c8ece7da73c325d55368c444eba1a4531e14f6c453a})
Language: English
Encoded date: UTC 2012-04-24 23:38:13
Tagged date: UTC 2012-04-24 23:38:14

 

Leave a Reply

Your email address will not be published. Required fields are marked *